Joel, a ruthless survivor, is hired to smuggle a 14 year-old girl, Ellie, out of an oppressive military quarantine zone, but what starts as a simple job soon transforms into a profound journey across the U.S. Twenty years later, infected humans run wild and survivors are killing each other for food, weapons, or whatever they can get their hands on.
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In The Last Of Us PS4 A pandemic has radically changed known civilisation. PSN account is required to activate this game. Left Behind is so chock-full of amazing, story-bending, essential moments – moments I won’t spoil here – that it’s easy to overlook Naughty Dog’s decision to take a conventional approach when it came to padding out the experience with combat.PLEASE NOTE: A U.S. Still, the very act of playing The Last of Us for just a little while longer overwhelms that sense of wondering if combat was shoehorned in. In this context, battles seem forced at times, especially at the very end of the two-to-three hour experience. Riley and Ellie head to the mall, explore, make discoveries, chatter endlessly, and learn a great deal about each other and themselves. Left Behind’s explorative qualities and sense of discovery are fully carried over from the core game, and I wanted to see more of that. The Last of Us is largely predicated not only on fighting, but on exploring. The thing is, while combat in Left Behind is totally enjoyable, I couldn’t help but wonder if it needed to be there at all. It’s too bad we didn’t get even a taste of this in The Last of Us itself, because it’s a lot of fun to play around with. In Left Behind, you’ll often find yourself in a battle with both sides at the same time, and you realize that you can push the two sides to focus on each other rather than you by throwing a bottle or shooting a stray bullet. In The Last of Us, you’ll regularly fight human survivors and the Infected, but you’ll never fight them simultaneously. Further differentiating this experience, Naughty Dog has taken an extra step to change things up by bringing a whole new dynamic to combat scenario design in Left Behind. It makes Left Behind feel tangibly different than The Last of Us itself. She can craft items and wield firearms and bows, but she doesn’t have that raw combat experience that Joel earned through two decades of merely staying alive, and we can see and feel that right away. But she can also become quickly overwhelmed. She can rapidly stab her foes, and she – like Joel – can stalk and kill unsuspecting targets without a peep being made. Whereas Joel could take human survivors and the Infected with fists and melee weapons, Ellie needs to keep her distance. These stark differences play out as soon as you find yourself in combat.
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She wields her trusty switchblade with exceptional skill, and she knows how to shoot, too, but playing as Ellie is night-and-day when compared to her future partner. She can handle herself, but she’s no Joel. The Boston-based quarantine zone she’s holed-up in has its share of danger, sure, but the remnants of the federal government keeps her clothed, fed, and taken care of. What’s novel about playing as Ellie in Left Behind, however, is that she hasn’t yet been informed by and hardened by her experiences with Joel. Playing as Ellie isn’t necessarily novel in and of itself, as anyone who played The Last of Us can attest to. The adventure is strengthened even more by expert performances from voice and mo-cap actresses Ashley Johnson and Yaani King. Still, trekking through the mall as Ellie – with Riley in tow – is a nice change of pace from the more danger-filled haunts that she later finds herself in with Joel. After all, everything they know about the pre-Infected world comes by way of stories from older folks and their own observations of the decaying world around them. There’s an important touchstone to the past here, even if neither Ellie nor Riley necessarily knows that. A majority of Left Behind takes place in a mall, which I loved simply because two girls going to the mall is something that happens with regularity in the real, pre-apocalyptic world.
And there are a ton of other surprises, to boot. We get a true taste for Ellie’s connection with Riley, and how that helps form who she’s become by the time she meets Joel.
It’s a thoughtful and meaningful prologue to the events of the original game, fleshing-out Ellie’s origins through the lens of her friendship with a girl named Riley (who’s first introduced in the companion comics, American Dreams). The real beauty of Left Behind is that it isn’t derivative of The Last of Us’ campaign, nor is it an afterthought or a cash-in (though, at $14.99, it’s a tad bit expensive).
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